Sand Dance logo (Chinese) <user name="sand_dance">
[personal profile] nijibug
"Somewhere far from nowhere I grew both strong and tall
Longing to become but knowing not the path at all
But the footprints of the winter melted to fields of spring
One last embrace before I cross the threshold"
  — from Omnia Sol (Let Your Heart Be Staid) by Z. Randall Stroope
Sand Dance logo (Chinese) <user name="sand_dance">
[personal profile] nijibug
(rescued from old deviantART account)

"Lines on your face."

"Hm?"

"Is that what makes you old?" asked Eirendi.

"Quite the contrary; it is being old that puts the lines on one's face," Haolan chuckled.

"Then what makes you old, Grandfather?"

"Do you know what old means, Eiri?"

She shook her head.

"It simply means that one has been around for a long time."

"Well, that doesn't explain anything."

"No, it doesn't," the doctor admitted. "Not much."

"But then...you aren't old at all, Grandfather!" Eirendi beamed. "You haven't been around very long."

The old man laughed so that the afternoon sun bounced on his bald crown, and the sparse gray of his beard and whiskers and eyebrows quivered with mirth.

"No indeed, dear child. But I daresay I do have a few years on you."



A salty wind from the southern sea
Up hill country it blew
The rain had scarcely touched the lea
When up sprang the bamboo!

Strings twanging as the gourd-curved body of the vielle thumped against her back, the gypsy
Sand Dance logo (Chinese) <user name="sand_dance">
[personal profile] nijibug

  — A dictionary of the Anglo-Saxon language, containing the accentuation - the grammatical inflections - the irregular words referred to their themes - the parallel terms, from the other Gothic languages - the meaning of the Anglo-Saxon in English and Latin - and copious English and Latin indexes, serving as a dictionary of English and Anglo-Saxon, as well as of Latin and Anglo-Saxon. Joseph Bosworth, 1838.

I think I would throw down my weapons and fight

Sand Dance is a novel highly experimental in nature. Formed loosely in the tradition of wuxia (the ancient Chinese knight errant), it is an attempt to create a narrative experience more spiritual than physical: a tale of time disregarding age; a story of love devoid of romance; a quest for vengeance without weapons. Sand Dance is a question and a tentative answer: how can a fantasy epic be when sex and strife are absent elements? where good and evil are not the irreconcilable opposites?

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